{"id":11897,"date":"2015-04-01T22:25:24","date_gmt":"2015-04-01T21:25:24","guid":{"rendered":"http:\/\/news.madonnatribe.com\/en\/?p=11897"},"modified":"2015-04-01T22:26:10","modified_gmt":"2015-04-01T21:26:10","slug":"lets-do-whatever-you-want-to-do","status":"publish","type":"post","link":"https:\/\/news.madonnatribe.com\/en\/2015\/lets-do-whatever-you-want-to-do\/","title":{"rendered":"“Let’s do whatever you want to do”"},"content":{"rendered":"

Thomas Wesley Pentz aka Dipl<\/strong>o spoke to Rick Rubin for an exclusive story in the new issue of Interview<\/strong> magazine<\/a>.<\/p>\n

No need to say, his contribution to Rebel Heart<\/strong><\/em> was one of the chat’s topics, and Diplo had he chance to explain why in his busy schedule and personal life it was hard to wrap up Madonna because…<\/p>\n

Interview<\/strong>: What was your collaboration with her like?<\/p>\n

Diplo<\/strong>: It’s probably not news to you, but working with an established artist like that, I didn’t expect a lot to come out of it. [Rubin laughs] I thought it’d be great to try, though. But then have you ever met Madonna before? Have you worked with her on stuff?<\/p>\n

Interview<\/strong>: Yes, but never have worked with her.<\/p>\n

Diplo<\/strong>: The chemistry was just, like, awesome. Right from the beginning, she was like, “Let’s do whatever you want to do.” I had kind of a vision of how she can sound in 2015 and not be forced. And she went for it. I’m proud of the songs.<\/p>\n

Interview<\/strong>: Give me an example of how a typical song would come about.<\/p>\n

Diplo<\/strong>: The first two days, I always have a hard time really finding my comfort level with the artist. Like, trying to find out how I can be myself and make them not feel weird and make them feel good. You know, better than being weird. [both laugh]<\/p>\n

Interview<\/strong>: Yeah, yeah.<\/p>\n

Diplo<\/strong>: My favorite song on the record is the one featuring Nicki Minaj. We were drinking at night – and I don’t think Madonna really drinks – and she was like, “Play me just the craziest shit you have.” It has, like, this Japanese pizzicato melody and a drop that’s just insane, like, a little thing I chopped up. And she was into it. And then I put guitar over it because she likes to start in with guitar. I cut the guitars up. I did it, like, in the night. And then the other songs were, like I said, negotiating. And she’s really hardheaded. [Rubin laughs] When I first came in there, she was down for whatever, but towards the middle, it became a lot more about what she wanted to do.<\/p>\n

Interview<\/strong>: She showed her true colors. [laughs]<\/p>\n

Diplo<\/strong>: Yeah, but you know what? I wouldn’t expect anything less. I like artists that have a strong opinion. At least, they have opinions. But with some older artists, they might have an opinion just to have it. I feel like that’s an issue I’ve run into …<\/p>\n

Read the full interview – illustrated with photography by Sebastian Kim – on the new issue of Interview<\/strong> magazine<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Thomas Wesley Pentz aka Dipl<\/strong>o spoke to Rick Rubin for an exclusive story in the new issue of Interview<\/strong> magazine.<\/p>\n

No need to say, his contribution to Rebel Heart<\/strong><\/em> was one of the chat’s topics, and Diplo had he chance to explain why in his busy schedule and personal life it was hard to wrap up Madonna because…
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